{"id":388,"date":"2009-12-25T23:31:39","date_gmt":"2009-12-25T23:31:39","guid":{"rendered":"http:\/\/www.codru.org\/?p=388"},"modified":"2009-12-25T23:31:39","modified_gmt":"2009-12-25T23:31:39","slug":"nevoia-de-miracol","status":"publish","type":"post","link":"http:\/\/www.codru.org\/?p=388","title":{"rendered":"Nevoia de miracol"},"content":{"rendered":"

<\/strong>Valeria Duca, la cei 14 ani ai ei, e o pas\u0103re care zboar\u0103 \u00eentr-un cer inventat de visele sale. Iar visele ei sunt toate \u00een culori. Eleva Liceului \u201ePrometeu-Prim\u201d e sportiv\u0103 de performan\u0163\u0103 (campioan\u0103 tae-kwondo, cu medalii de aur) \u015fi pictori\u0163\u0103 (cu expozi\u0163ii apreciate \u015fi ele \u201ecu aur\u201d, ultima deschis\u0103 recent \u00een incinta Ambasadei Rom\u00e2ne la Chi\u015fin\u0103u).
Ea picteaz\u0103 p\u0103s\u0103ri, \u00eengeri, lacuri, nori, p\u0103uni, dragoni\u2026<\/span>
Dar ea mai pune pe p\u00e2nze singur\u0103t\u0103\u0163i (un tablou al ei se intituleaz\u0103 \u201eSingur\u0103tatea<\/em>\u201d), iubiri (p\u00e2nzele \u201eStafii \u00eendr\u0103gostite<\/em>\u201d, \u201eFocul dragostei<\/em>\u201d), suflete (\u201eSuflet de om p\u0103g\u00e2n<\/em>\u201d), lacrimi (compozi\u0163ia \u201eLacrimi<\/em>\u201d), lumini (\u201eCioburi de lumin\u0103<\/em>\u201d), purit\u0103\u0163i (\u201ePuritate<\/em>\u201d), furtuni (\u201eFurtun\u0103 de toamn\u0103<\/em>\u201d) \u015fi multe, foarte multe flori\u2026
Florile ei sunt vii. Este ca \u015fi cum acestea \u00eembobocesc, se desfac, cresc, se ofilesc sub ochii t\u0103i, ai privitorului.
Le-a\u015f zice acestor p\u00e2nze \u201emetafore ale vederii<\/em>\u201d. Metafore ale \u201eochiului-timpan<\/em>\u201d, cel de care vorbea Nichita St\u0103nescu. Ale ochiului care nu doar vede, ci \u015fi aude, simte, tr\u0103ie\u015fte, cuget\u0103.
Ele sunt ca un v\u0103z f\u0103r\u0103 ochi. Ca vederea \u00eens\u0103\u015fi.
Un pictor adev\u0103rat, iar Valeria Duca la v\u00e2rsta ei fraged\u0103 e deja un pictor adev\u0103rat, ne descoper\u0103 ceea ce nu se vede.
Ea las\u0103 impresia c\u0103 prive\u015fte lucrurile pe dinl\u0103untrul lor. E ca \u015fi cum s-ar uita la acestea din interior. Relev\u00e2ndu-ne esen\u0163ele, subtextele, metaforele acestora. Ar\u0103t\u00e2ndu-ne ceea ce e \u00eend\u0103r\u0103tul lucrurilor. Ce nu se z\u0103re\u015fte de la privitor.
E o perfect\u0103 stare de cur\u0103\u0163enie sufleteasc\u0103 \u00een p\u00e2nzele ei, izvodite din nevoia de miracol, din nevoia de metafor\u0103.
Exploziile de culori \u015fi lumini, exterioriz\u0103rile fulminante ale sufletului, trebuie trecute pe plan interior, toate \u00eempreun\u0103 vorbind de maturitatea junelui maestru, care nu cedeaz\u0103 ini\u0163iativa culorilor, ci le supune \u015fi \u00eendeamn\u0103 s\u0103-i redea exact, s\u0103-i \u00eenf\u0103\u0163i\u015feze \u015fi comenteze st\u0103rile \u015fi sentimentele.
Tablourile ei sc\u00e2nteiaz\u0103 din\u0103untru, lumina lor vine de foarte departe, de dincolo de lucruri \u015fi de sine, ca ni\u015fte comori care ard \u00een noapte a\u015ftept\u00e2nd s\u0103 le descoperi.
Valeria Duca \u00ee\u015fi picteaz\u0103 copil\u0103ria \u015fi adolescen\u0163a cu aerul c\u0103-\u015fi tr\u0103ie\u015fte \u00een paralel toate v\u00e2rstele, inclusiv pe cele pe care abia urmeaz\u0103 s\u0103 le cunoasc\u0103.
Ea picteaz\u0103 juc\u00e2ndu-se, a\u015fa cum s-a jucat Dumnezeu c\u00e2nd a f\u0103cut lumea.
<\/span><\/p>\n

Nicolae DABIJA <\/span><\/strong><\/div>\n","protected":false},"excerpt":{"rendered":"

Valeria Duca, la cei 14 ani ai ei, e o pas\u0103re care zboar\u0103 \u00eentr-un cer inventat de visele sale. Iar visele ei sunt toate \u00een culori. Eleva Liceului \u201ePrometeu-Prim\u201d e sportiv\u0103 de performan\u0163\u0103 (campioan\u0103 tae-kwondo, cu medalii de aur) \u015fi pictori\u0163\u0103 (cu expozi\u0163ii apreciate \u015fi ele \u201ecu aur\u201d, ultima deschis\u0103 recent \u00een incinta Ambasadei Rom\u00e2ne… Continue reading Nevoia de miracol<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":357,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39],"tags":[],"class_list":["post-388","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultural","entry"],"_links":{"self":[{"href":"http:\/\/www.codru.org\/index.php?rest_route=\/wp\/v2\/posts\/388","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.codru.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.codru.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.codru.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.codru.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=388"}],"version-history":[{"count":0,"href":"http:\/\/www.codru.org\/index.php?rest_route=\/wp\/v2\/posts\/388\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.codru.org\/index.php?rest_route=\/wp\/v2\/media\/357"}],"wp:attachment":[{"href":"http:\/\/www.codru.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=388"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.codru.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=388"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.codru.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=388"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}